     
Acoustics
In my opinion, room acoustics is the single biggest factor in determining
the quality of your recording. There are two main issues you need to be
concerned with. One is how much sound leaks into or out of your studio.
The other is the sound of your room.
Leakage
How much you have to be concerned about leakage, or sound coming into
your studio, will be determined largely by the noise level of your neighborhood.
This will determine the extent to which you will need to go to eliminate
this leakage. I'm assuming your studio is in a typical single family home.
The main source of leakage to your studio will be from doors and windows.
Its good to have double pane windows. If that is not suffiecient, you
can add extra glazing or install shutters.
The doors to your studio should be either solid wood or metal. Common
hollow-core interior doors will not be enough to keep out the sound from
other rooms.
If your studio is in a basement, you may have to treat the upstairs floors
to eliminate the noise from people walking. Or, you can just make arrangements
to have the upstairs vacant while you are recording. Truthfully, the only
time you need to be concerned with outside noise, is when recording vocols
or quite accoustic instruments such as accoustic guitars. When recording
electric guitars and drums, outside noise is not usually a concern.
Another source of noise is the furnace and air conditioning. I always
turn them off while I am recording. Refrigerators are also a source of
low frequency noise. Make sure you isolate your studio from this as much
as possible.
Reflections
Reflections include reverb, echo and standing waves. Each of these effects
the sound of your room. Reflections can be detrimental to your recording.
The problem is that sound waves bouncing off the walls, ceiling and floor
will return to the microphone. This could simply result in the presence
of reverb from the room in your recording. Most likely, this reverb won't
sound very good. Another problem caused by reflections is phasing, or
cancellation. This is caused by the source sound bouncing off the wall
and returning to the microphone out of phase with the original sound. Also, the
sound may be in phase in some frequencies and out of phase at other frequencies.
This causes some frequencies to be exaggerated and others to decrease
and will prevent you from getting that nice full clear sound that you
want to have in your recording.
Listen
to a live room.
Listen
to a dead room.
Professional studios usually use special acoustic foam to remove reflections
in the mid and high frequencies. In the home studio, you can obtain good
results with much less expensive materials. A popular material is "moving
blankets" used by moving companies to protect furniture. These can
be purchased from Harbor Freight among other places for less that $10
a piece. Another possibility is to lean mattresses against the walls.
This works very well. Office dividers used for cubicles also work. You
can often find these at used office furniture stores.
Square rooms tend to make the reflection problem even worse. When you're
setting up your material you should try to set them up at angles so they
are not facing each other.
If you're recording something that produces low frequencies, you may
also need to have bass traps. There are many DIY bass trap designs available
on the Internet. To determine if you need bass traps. Stand in the corners
of your room while the sound is being produced and see if the bass gets
louder there. If so, you should install bass traps.
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